Lauryn Hill Says Tax Evasion for Safety from Illuminati “Military-Industrial Complex” – Video

Lauryn Hill Performing New Song "Fearless Vampire Killer" in March, Washington, DC & U.S. Dollar Illuminati New World Order Pyramid Seal

Lauryn Hill said in an internet posting Friday that she has not paid taxes since she withdrew from society to guarantee the safety and well-being of herself and her family from the “Military-Industrial Complex.”

The Military-Industrial Complex is a term first used by President Dwight D. Eisenhower during his final speech as U.S. President.

He warned the American citizens to beware of the organization and to protect their rights and freedom from being taken by the greedy cabal that is many times called the Illuminati New World Order.

See Our Article: Eisenhower Warns Americans of New World Order “Military-Industrial [Congressional] Complex” 50 Yrs Ago Today in Farewell Addres – Watch

President John F. Kennedy also made a speech warning against secret societies and the Military-Industrial Complex in 1961 before his murder.

Here is video of JFK’s speech:

The rapper and singer from South Orange, NJ was charged this week with willfully failing to file income tax returns with the Internal Revenue Service (IRS).

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Federal prosecutors said Hill did not pay taxes on more than $1.5 million earned in 2005, 2006 and 2007 from recording and film royalties.

She responded to the federal charges in a post on her Tumblr page Friday with words similar to the Occupy Wall Street Movement protests.

She said in her online post that she explained herself to authorities when she was questioned by them about her failure to pay taxes.

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“My intention has always been to get this situation rectified. When I was working consistently without being affected by the interferences mentioned above, I filed and paid my taxes,” Hill wrote. “This only stopped when it was necessary to withdraw from society, in order to guarantee the safety and well-being of myself and my family.”

Lauryn Hill Making Alleged Illuminati Eye Of Horus in "Doo-Wop (That Thing)" Music Video

Hill also mentions that the Military-Industrial Complex is “media protected” and uses coersion and blackmail techniques to manipulate and suppress people.

She stated that her trying to bring awareness to issues was stopped by the puppet master executives: “Addressing critical issues like pop culture cannibalism or its manipulation of the young at the expense of everything, was frowned upon and discouraged by limiting funding, or denying it outright.”

The U.S. Attorney’s Office for New Jersey, which filed the tax charges, did not comment on Hill’s statements Friday.

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The 37-year-old began in her hip hop band the Fugees and then recorded her only solo studio album.

She had not recorded an album in 10 years, but recently released new songs while on tour. One is “Fearless Vampire Killer” that is believed by many fans to be about battling against the Illuminati New World Order and her making a statement about commercial sellouts.

Previously during MTV Unplugged, Hill sang a new song “I Get Out” while crying, which fans also believe is about her leaving the Satanic Illuminati New World Order cult.

Here is the full response posting from Lauryn Hill from her Tumblr page:

It was reported yesterday that Ms. Lauryn Hill has been charged with three counts of misdemeanor failure to file taxes. These charges were incurred for the years of 2005-2007, during a time in which Ms. Hill had removed herself and her family from society, in order to keep them safe, healthy, and free from danger. In response to these charges, Ms. Hill has issued the following statement:

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For the past several years, I have remained what others would consider underground. I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex [bold added] with a completely different agenda. Having put the lives and needs of other people before my own for multiple years, and having made hundreds of millions of dollars for certain institutions, under complex and sometimes severe circumstances, I began to require growth and more equitable treatment, but was met with resistance. I entered into my craft full of optimism (which I still possess), but immediately saw the suppressive force with which the system attempts to maintain it’s control over a given paradigm. I’ve seen people promote addiction, use sabotage, black listing, media bullying and any other coercion technique they could, to prevent artists from knowing their true value, or exercising their full power. These devices of control, no matter how well intentioned (or not), can have a devastating outcome on the lives of people, especially creative types who must grow and exist within a certain environment and according to a certain pace, in order to live and create optimally.

I kept my life relatively simple, even after huge successes, but it became increasingly obvious that certain indulgences and privileges were expected to come at the expense of my free soul, free mind, and therefore my health and integrity. So I left a more mainstream and public life, in order to wean both myself, and my family, away from a lifestyle that required distortion and compromise as a means for maintaining it. During this critical healing time, there were very few people accessible to me who had not already been seduced or affected by this machine, and therefore who could be trusted to not try and influence or coerce me back into a dynamic of compromise. Individual growth was expected to take place unnaturally, or stagnated outright, subject to marketing and politics. Addressing critical issues like pop culture cannibalism or its manipulation of the young at the expense of everything, was frowned upon and discouraged by limiting funding, or denying it outright. When one has a prolific creative output like I did/do, and is then forced to stop, the effects can be dangerous both emotionally and psychologically, both for the artist and those in need of that resource. It was critically important that I find a suitable pathway within which to exist, without being distorted or economically strong-armed.

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During this period of crisis, much was said about me, both slanted and inaccurate, by those who had become dependent on my creative force, yet unwilling to fully acknowledge the importance of my contribution, nor compensate me equitably for it. This was done in an effort to smear my public image, in order to directly affect my ability to earn independently of this system. It took a long time to locate and nurture a community of people strong enough to resist the incredibly unhealthy tide, and more importantly see through it. If I had not been able to make contact with, and establish this community, my life, safety and freedom, would have been directly affected as well as the lives, safety and freedom of my family. Failure to create a non toxic, non exploitative environment was not an option.

As my potential to work, and therefore earn freely, was being threatened, I did whatever needed to be done in order to insulate my family from the climate of hostility, false entitlement, manipulation, racial prejudice, sexism and ageism that I was surrounded by. This was absolutely critical while trying to find and establish a new and very necessary community of healthy people, and also heal and detoxify myself and my family while raising my young children.

There were no exotic trips, no fleet of cars, just an all out war for safety, integrity, wholeness and health, without mistreatment denial, and/or exploitation. In order to liberate myself from those who found it ok to oppose my wholeness, free speech and integral growth by inflicting different forms of punitive action against it, I used my resources to sustain our safety and survival until I was able to restore my ability to earn outside of it!

When artists experience danger and crisis under the effects of this kind of insidious manipulation, everyone easily accepts that there was something either dysfunctional or defective with the artist, rather than look at, and fully examine, the system and its means and policies of exploiting/’doing business’. Not only is this unrealistic, it is very dark in its motivation, conveniently targeting the object of their hero worship by removing any evidence that they ‘needed’ or celebrated this very same resource just years, months or moments before. Since those who believe they need a hero/celebrity outnumber the actual heroes/celebrities, people feel safe and comfortably justified in numbers, committing egregious crimes in the name of the greater social ego. Ironically diminishing their own true hero-celebrity nature in the process.

It was this schism and the hypocrisy, violence and social cannibalism it enabled, that I wanted and needed to be freed from, not from art or music, but the suppression/repression and reduction of that art and music to a bottom line alone, without regard for anything else. Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual. I Love making art, I Love making music, these are as natural and necessary for me almost as breathing or talking. To be denied the right to pursue it according to my ability, as well as be properly acknowledged and compensated for it, in an attempt to control, is manipulation directed at my most basic rights! These forms of expression, along with others, effectively comprise my free speech! Defending, preserving, and protecting these rights are critically important, especially in a paradigm where veiled racism, sexism, ageism, nepotism, and deliberate economic control are still blatant realities!!!

Learning from the past, insulating friends and family from the influence of external manipulation and corruption, is far more important to me than being misunderstood for a season! I did not deliberately abandon my fans, nor did I deliberately abandon any responsibilities, but I did however put my safety, health and freedom and the freedom, safety and health of my family first over all other material concerns! I also embraced my right to resist a system intentionally opposing my right to whole and integral survival.

I conveyed all of this when questioned as to why I did not file taxes during this time period. Obviously, the danger I faced was not accepted as reasonable grounds for deferring my tax payments, as authorities, who despite being told all of this, still chose to pursue action against me, as opposed to finding an alternative solution.

My intention has always been to get this situation rectified. When I was working consistently without being affected by the interferences mentioned above, I filed and paid my taxes. This only stopped when it was necessary to withdraw from society, in order to guarantee the safety and well-being of myself and my family.

As this, and other areas of issue are resolved and set straight, I am able to get back to doing what I should be doing, the way it should be done. This is part of that process. To those supporters who were told that I abandoned them, that is untrue. I abandoned greed, corruption, and compromise, never you, and never the artistic gifts and abilities that sustained me.

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Hill mentions that her public image was distorted, but some of it seems to be from herself.

When she began touring again a couple years ago, she was booed and many people walked out of her concert in the San Francisco Bay Area because she sounded bad and seemed to be drunk or high on drugs.

Another strange point she makes is that she was trying to protect herself from people, but she performed at public concerts. If a person does not want to be found, she will not do concerts where people will know exactly where she is.

Layrun Hill: why don’t you just move away to a hax haven country and do shows there?

Video of Lauryn Hill performing new song “Fearless Vampire Killer” while on tour at the Warner Theatre in Washington, D.C.: